27.5.17

Machine Learning Systems in Concert

My partner in crime (Dr. Bob Sturm) and I recently hosted a concert of music co-created with computers. The concert ended with the first performance of my piece Bastard Tunes:

Read about the composition process of this piece and about the research that went into creating the system.

2.5.17

'Folk' Tune 'Arrangements'

Standing on the shoulders of giants such as Bartok or Berio, I recently finished writing an ensemble piece title Bastard Tunes. The piece was composed with the help of a machine learning system trained on transcriptions of Celtic music. The system produces short melodies that share many characteristics with the style it learned. But, with the possible exception of the fourth Bastard Tune, my piece applies more freedom in the way the system's output is used as compositional material. The piece will be premiered in a concert with other examples of music composed by and with computers.

18.1.17

Rhythmic Placing

Listening to the snare drum in the quieter bits in this recording (e.g. around 20 sec. in):
This is not sloppy playing, but a deliberate, and fascinating, offset. We all too often forget these kind of nuances - things that happen in-between the beats and that are difficult to capture and analyse.

5.7.16

Electronic Music - not so very new

120years.net provides a wealth of information on developments in electronic music. 
"The focus of this project is in exploring the main themes of electronic instrument design and development previous to 1970 (and therefore isn’t intended as an exhaustive list of recent commercial synthesisers or software packages.) As well as creating a free, encyclopaedic, pedagogical resource on the History of Electronic Music"

16.4.16

Purcell What power art thou

The chromatic motion is in the vocal line combined with the pulse to a unique result:

20.3.16

16.3.16